Classroom Practice

This year is the 50th anniversary of Roald Dahl's classic children's book James and the Giant Peach. In the story, 7-year-old orphan James Henry Trotter escapes his two rotten, abusive aunts by crawling into a giant peach, which rolls, floats and flies him to a new life of wonder and love.

I used to tell my art students that some of the best art comes from mistakes. It seems the same is true for teaching. If we can be flexible enough to recognize the lesson in mistakes, we can go a long way with our students.

Hands jut into the crisp autumn air, restricting my field of vision to a sea of shirtsleeves. While this is not an odd phenomenon after a new writing assignment, the types of questions are. “When will we mail it?” and “Can I make
this longer than three paragraphs?” replace heavy sighs of “When is this due, again?”

As an eighth-grade writing teacher, I routinely focus on reading student writing and utilizing it for several purposes. I am designing effective lessons, creating sound rubrics for assessment, developing peer conferences and monitoring their ability to meet standards and benchmarks. However, I often forget about one of our most important, frequently overlooked roles as writing teachers: our role as listeners.

I wiggle in my desk chair, softly swiveling it ever so gently back and forth, and fidget with my pen. I am a student in my own classroom.

At the front of the room stands a teacher in my place. To outside observers the girl dressed in flip flops and jeans pointing at things projected to the white board could not possibly be in charge—if anything they might mistake her as an unruly student who escaped from the confines of her desk. 

As a teacher, being responsive to each child’s needs, strengths and interests requires knowing each child and the developmentally appropriate strategies for each child.

I don’t remember much about my elementary school experience. But I do remember our class field trips. Field trips are more than a “vacation” from school. Coupled with meaningful and relevant lesson objectives, a field experience can engage students in learning and leave a lasting imprint.

Working in an urban high school has many challenges. My first computer graphics class was no exception. The computers were old PCs and the software was a pared-down version of a program that had failed to meet standards of the graphic design industry. My class contained a mix of special education students and youths with a reputation for disrupting classrooms.